Constellations, butterflies, and bold checkered prints overlay the animalistic forms by Anne Lemanski. Beginning with a copper armature, the North Carolina-based artist stretches vintage paper or patterns of scanned objects across a minimal metal form and stitches the edges together into a geometric patchwork.

Ranging from abstract shapes to illustrations and photos, the printed motifs evoke each character’s temperament, presence, and overall essence. “Stella Terra,” for example, is sheathed in white paper, and images of animals and objects speckle the ephemeral material similar to the spotted coat of the live Appaloosa counterpart. “My interest as of late has been pattern and color and the way it juxtaposes with the form when I take a three-dimensional object (like matches, toothpicks, or straws), make a new two-dimensional pattern with that object, then compose the two-dimensional pattern onto the three-dimensional form,” Lemanski says.

Find more of the ephemeral creatures on Instagram. (via Women’s Art)

“Fennec Fox (Dog Star)” (2009), copper, ink on paper, artificial sinew, 17 1/2 x 14 x 12 inches
“Painted Wolf” (2019), copper rod, archival pigment print on paper, artificial sinew, 39 x 47 x 15 inches. All images by Steve Mann, Âİ Anne Lemanski, shared with permission
“Gaudy Sphinx” (2014), copper rod and paper, 7 x 16 x 13 inches
“Camoufleur” (2014), copper rod, vintage paper targets, epoxy, 17 1/2 x 15 x 8 1/2 inches
“Tigris” (2018), copper rod, archival print on paper, artificial sinew, epoxy, plastic, 64 x 61 x 30 inches
“Mink” (2021), copper rod, archival inkjet on paper, artificial sinew
“Stella Terra” (2022), copper rod, Mohawk cover board, inkjet print on paper, artificial sinew, 80 x 80 x 20 inches
“Jackrabbit” (2015), pigment print on paper, copper rod, 27 1/2 x 26 x 9 inches

Discover the Paper Menagerie of Anne Lemanski, as she stitches printed papers into whimsical animal forms, merging artistry and geometry

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