Laura Kramer, an artist and designer, masterfully integrates art, anthropology, and archaeology into her glassworks, which are inspired by both nature and history. Her academic journey, marked by a BFA and MFA from Rhode Island School of Design and Ohio State University, respectively, and an MA in Anthropology and Material Culture from Columbia University, deeply influences her artistic creations. Kramer’s hands-on experiences range from archaeological digs in the Dutch Antilles to bronze casting at Paolo Soleri’s Arcosanti, and she has collaborated with notable figures like Danish glass artist Tobias Mohl.
The concept of material culture—central to anthropology and archaeology—plays a pivotal role in Kramer’s work. This field explores the significance of objects such as tools, clothing, or religious artifacts, revealing insights into the cultures that produced them. Kramer expresses, “I am interested in the connection of the imbued spirit within the object,” reflecting her deep engagement with the stories objects tell. Her interest was particularly sparked during her time on the Caribbean island of St. Eustatius, where she participated in excavations.
Kramer’s glassworks are a testament to her ability to merge art with natural forms. Her pieces often resemble organic structures like barnacles or wasp nests, creating a dialogue between the human-made and the natural world. This approach challenges conventional categorizations, reminiscent of the curiosity cabinets of old, where objects of wonder and mystery were displayed without strict classification.
Her innovative installations have not gone unnoticed, earning her features in prestigious publications like Elle Décor, New York Times Magazine’s Home Issue, InStyle, and Architectural Digest. Through her art, Kramer invites the audience to delve into the intriguing overlap of material culture, art, and the natural world, encouraging a deeper appreciation of the objects that surround us and the stories they carry.
